{"id":2710,"date":"2024-07-26T11:58:00","date_gmt":"2024-07-26T08:58:00","guid":{"rendered":"https:\/\/upas.evvel.org\/?p=2710"},"modified":"2024-07-27T11:31:50","modified_gmt":"2024-07-27T08:31:50","slug":"japonyada-bati-kaynakli-muzik-tarihi-ve-yeralti-gitar-gurultusu","status":"publish","type":"post","link":"https:\/\/upas.evvel.org\/?p=2710","title":{"rendered":"Japonya\u2019da Bat\u0131 Kaynakl\u0131 M\u00fczik Tarihi ve Yeralt\u0131 Gitar G\u00fcr\u00fclt\u00fcs\u00fc (Tolga \u00d6zbey)"},"content":{"rendered":"\n

Tolga \u00d6zbey<\/strong>, A\u00e7\u0131k Radyo\u2019da yay\u0131nlanan Egzotik Yeralt\u0131<\/a> program\u0131nda; Amerikan ve \u0130ngiliz k\u00f6kenli Beat, Rock \u2018n\u2019 Roll, Surf ve Garage m\u00fczik t\u00fcrlerinin \u00f6zellikle 50\u2019ler ,60\u2019lar ve 70\u2019lerde Uzakdo\u011fu ve Ortado\u011fu ya da so\u011fuk sava\u015f d\u00f6nemi demir perde \u00fclkeleri ba\u015fta olmak \u00fczere yer buldu\u011fu farkl\u0131 co\u011frafyalarda kaydedilmi\u015f, pek duyulmam\u0131\u015f, \u00e7o\u011fu anadillerinde m\u00fczik yapan grup ve sanat\u00e7\u0131lar\u0131ndan \u00f6rneklere yer veriyor. Program bazen yasakl\u0131 d\u00f6nemlerde icra edilen, bazen de rejim de\u011fi\u015fimi ve sava\u015flardan \u00f6t\u00fcr\u00fc sonu k\u00f6t\u00fc biten ve rock\u2019n\u2019roll m\u00fczi\u011finin \u00f6yle ya da b\u00f6yle s\u0131zd\u0131\u011f\u0131 bu m\u00fczik sahnelerini, egzotik gitar t\u0131n\u0131lar\u0131n\u0131n farkl\u0131 co\u011frafyalardaki etkilerini i\u015fitmemize imk\u00e2n sa\u011fl\u0131yor.<\/p>\n\n\n\n

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1\/ Kissu: Japonya’n\u0131n Bat\u0131 M\u00fczi\u011fiyle Temas\u0131<\/a> (53 sayfa, tam metin, pdf<\/a>)
2\/ Japon Surf M\u00fczi\u011fi – Eleki Buumu<\/a> (79 sayfa, tam metin, pdf<\/a>)
3\/ \u0130kinci D\u00fcnta Sava\u015f\u0131 Sonras\u0131, Japonya’da Yeralt\u0131 Gitar M\u00fczi\u011fi ve Altk\u00fclt\u00fcrleri<\/a> (173 sayfa, tam metin, pdf<\/a>)<\/p>\n\n\n\n

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\u00d6zbey’in kaleme ald\u0131\u011f\u0131 \u00fc\u00e7 kitapl\u0131k bu \u00f6zel seri, Egzotik Yeralt\u0131<\/a> program\u0131na paralel olarak \u0130kinci D\u00fcnya Sava\u015f\u0131 sonras\u0131 Japonya\u2019daki k\u00fclt\u00fcrel de\u011fi\u015fimin m\u00fczikal yans\u0131malar\u0131 \u00fczerinde duruyor. T\u00fcm d\u00fcnyay\u0131 amans\u0131z etkisiyle farkl\u0131 de\u011fi\u015fimlere s\u00fcr\u00fckleyen \u0130kinci D\u00fcnya Sava\u015f\u0131\u2019n\u0131n hemen ertesinden ba\u015flayarak Japonya\u2019da yeralt\u0131 gitar m\u00fczi\u011fi ve dolay\u0131s\u0131yla ortaya \u00e7\u0131kan k\u00fclt\u00fcr hareketlerine buyur ediyor okuyucuyu… Serinin tamam\u0131nda bat\u0131l\u0131 m\u00fczi\u011fin Japonya\u2019ya nas\u0131l ula\u015ft\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz: Japonya\u2019n\u0131n politik atmosferle de\u011fi\u015fen k\u00fclt\u00fcr politikalar\u0131n\u0131n d\u00fcnya sava\u015f\u0131 tarihsel perspektifinde gitar m\u00fczi\u011fine (ve punk\u2019a) olan etkilerini bu eserlerde incelemek m\u00fcmk\u00fcn\u2026 <\/p>\n\n\n\n

Alternatif m\u00fczik tarihi ara\u015ft\u0131rmalar\u0131na Upas Yay\u0131n<\/strong> kapsam\u0131nda yer vermemizi ve bu k\u0131ymetli birikimi okuyucular\u0131m\u0131za sunmam\u0131z\u0131 sa\u011flayan s\u0131k\u0131 gitarist Tolga \u00d6zbey<\/strong>‘e \u00e7ok te\u015fekk\u00fcr ederiz.<\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,5,1],"tags":[154],"class_list":["post-2710","post","type-post","status-publish","format-standard","hentry","category-gorungu","category-yayinlar","category-uncategorized","tag-tolga-ozbey","comments-off"],"_links":{"self":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/2710","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2710"}],"version-history":[{"count":7,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/2710\/revisions"}],"predecessor-version":[{"id":2722,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/2710\/revisions\/2722"}],"wp:attachment":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2710"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2710"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2710"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}