{"id":2746,"date":"2024-07-20T09:48:33","date_gmt":"2024-07-20T06:48:33","guid":{"rendered":"https:\/\/upas.evvel.org\/?p=2746"},"modified":"2024-08-06T10:47:27","modified_gmt":"2024-08-06T07:47:27","slug":"ece-ayhanin-bakissiz-bir-kedi-karasi-abdnin-sokaklarinda-da-dolasiyor-blind-cat-black-full-mp3-album-ve-film-hakkinda-ozel-bir-soylesiyle-birlikte","status":"publish","type":"post","link":"https:\/\/upas.evvel.org\/?p=2746","title":{"rendered":"ECE AYHAN&#8217;\u0131n Bak\u0131\u015fs\u0131z Bir Kedi Kara&#8217;s\u0131 ABD&#8217;nin sokaklar\u0131nda da dola\u015f\u0131yor! BLIND CAT BLACK! (Full MP3-YouTube-Full-Alb\u00fcm) ve filmin T\u00fcrkiye g\u00f6steriminin hik\u00e2yesi&#8230;"},"content":{"rendered":"\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"782\" height=\"1024\" src=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/ece-ayhan-gazete-7-782x1024.jpg\" alt=\"\" class=\"wp-image-2748\" srcset=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/ece-ayhan-gazete-7-782x1024.jpg 782w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/ece-ayhan-gazete-7-229x300.jpg 229w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/ece-ayhan-gazete-7-768x1005.jpg 768w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/ece-ayhan-gazete-7.jpg 1000w\" sizes=\"auto, (max-width: 782px) 100vw, 782px\" \/><figcaption class=\"wp-element-caption\"><br><strong>30\/12\/2008 tarihli BirG\u00fcn Gazetesi&#8217;nden&#8230;<\/strong><\/figcaption><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<p><em>2008 y\u0131l\u0131nda ABD&#8217;de yay\u0131mlanan <strong><a href=\"https:\/\/zaferyalcinpinar.com\/eceayhanblindcatblack.zip\" target=\"_blank\" rel=\"noreferrer noopener\">BLIND CAT BLACK (Bak\u0131\u015fs\u0131z Bir Kedi Kara)<\/a> <\/strong>ba\u015fl\u0131kl\u0131 alb\u00fcm\u00fcn \u015fark\u0131 listesi a\u015fa\u011f\u0131dad\u0131r. Alb\u00fcm\u00fcn tamam\u0131n\u0131 <a href=\"https:\/\/zaferyalcinpinar.com\/eceayhanblindcatblack.zip\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>https:\/\/zaferyalcinpinar.com\/eceayhanblindcatblack.zip<\/strong><\/a> adresinden <strong>mp3 <\/strong>olarak indirebilirsiniz. <strong>(19,5 mb.)<\/strong><\/em><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>\u201cEpitafio\u201d<\/strong> (Fred Friction, Three Fried Men) \/\/ <strong>\u201cThe marching band of his friend and of death\u201d<\/strong><br>(Kennebunkport Jazz Workshop) \/\/ <strong>&#8220;The secret Jew\u201d<\/strong> (Pops Farrar, Flatrock) \/\/ <strong>\u201cThat guy\u201d<\/strong><br>(Stefene Russell, Tom Hall) \/\/ <strong>\u201cIn the sewers of my veins\u201d<\/strong> (Fred Friction, Three Fried Men) \/\/ <strong>\u201cA flood of first summer\u201d<\/strong> (Murat Nemet-Nejat) \/\/ <strong>\u201cBats without wings; wet guns\u201d<\/strong> (Les Murray, Middle Sleep) \/\/ <strong>&#8220;Madness put on a porkpie hat&#8221;<\/strong> (Middle Sleep) \/\/ <strong>\u201cThe sea of late hours\u201d<\/strong> (Michael Cooney) \/\/ <strong>\u201cThis monster traveler in hashish\u201d<\/strong> (Latif Bolat, Gary Haggerty) \/\/ <strong>\u201cMy son is a queen\u201d<\/strong> (Three Fried Men) \/\/ <strong>&#8220;Why the sea rises&#8221;<\/strong> (Tim McAvin) \/\/ <strong>\u201cMitsrayim\u201d<\/strong> (Murat Nemet-Nejat, Latif Bolat) \/\/ <strong>\u201cThe muddy music of the ink squid\u201d<\/strong> (Three Fried Men) \/\/ <strong>\u201cWithout wings\u201d<\/strong> (Murat Nemet-Nejat, Latif Bolat) \/\/ <strong>\u201cIpecacuanha, the emetic\u201d<\/strong> (Chris King, Latif Bolat, Heidi Dean)<\/p>\n<\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<center><iframe loading=\"lazy\" width=\"600\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uviDO6hykQk?si=5vyEgqX0GN_rAoCP\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/center>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"929\" height=\"713\" src=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/BCB-Star-Gazetesi-Okuzluk.jpg\" alt=\"\" class=\"wp-image-2750\" style=\"width:876px;height:auto\" srcset=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/BCB-Star-Gazetesi-Okuzluk.jpg 929w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/BCB-Star-Gazetesi-Okuzluk-300x230.jpg 300w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/BCB-Star-Gazetesi-Okuzluk-768x589.jpg 768w\" sizes=\"auto, (max-width: 929px) 100vw, 929px\" \/><figcaption class=\"wp-element-caption\"><br><strong>13\/7\/2010 tarihli Star Gazetesi&#8217;nden&#8230;<\/strong><\/figcaption><\/figure>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>BLIND CAT BLACK T\u00dcRK\u0130YE G\u00d6STER\u0130M\u0130&nbsp;\u00d6NCES\u0130NDE \u00d6ZEL B\u0130R S\u00d6YLE\u015e\u0130 <\/strong><br>(4 Temmuz 2010, <strong>Bar\u0131\u015f Yarsel<\/strong> &amp; <a href=\"https:\/\/www.zaferyalcinpinar.info\">Zafer Yal\u00e7\u0131np\u0131nar<\/a>)<\/p>\n\n\n\n<p><strong>Bar\u0131\u015f Yarsel: <\/strong><em>Kas\u0131m 2009&#8217;da E. Ayhan \u00c7a\u011flar&#8217;\u0131n&nbsp;kitaplar\u0131na&nbsp;girmeyen&nbsp;<a href=\"https:\/\/zaferyalcinpinar.com\/takmagoz.pdf\">&#8220;Takma&nbsp;G\u00f6z<\/a>&#8221;&nbsp;isimli \u015fiirini Khalkedonista fanzin ile birlikte tek say\u0131l\u0131k, tek sayfal\u0131k bir fanzin olarak yay\u0131nlad\u0131n\u0131z. Buradan ba\u015flayarak, hem E. Ayhan \u00c7a\u011flar&#8217;\u0131n izini s\u00fcrmenizin k\u0131sa hik\u00e2yesini alal\u0131m, hem de \u015fiirde &#8220;Ba\u015fka bir g\u00f6z varm\u0131\u015f \/ \u00e7ocukken bende \/ \u015fimdi bir g\u00f6z takt\u0131lar ki \/ sormay\u0131n&#8221; diyen &#8220;\u00f6d\u00fcls\u00fcz \u015fair&#8221; \u00c7a\u011flar&#8217;\u0131n &#8220;kurumsalla\u015fm\u0131\u015f&#8221; edebiyat \u00e7evreleri taraf\u0131ndan g\u00f6rmezden gelinmeye, unutturulmaya \u00e7al\u0131\u015fmas\u0131na de\u011finelim. Ece Ayhan (k\u0131zma, ben yine ona b\u00f6yle sesleneyim) gibi bir \u015fair, zaten kendini savunabilir ku\u015fkusuz, ancak bu &#8220;k\u00f6t\u00fcl\u00fck ya\u011fmuru&#8221; da dinecek gibi g\u00f6z\u00fckm\u00fcyor, ne dersin?<\/em><\/p>\n\n\n\n<p><strong>Zafer Yal\u00e7\u0131np\u0131nar:<\/strong>&nbsp;2007 senesine kadar Ece Ayhan\u2019\u0131 unutturmak y\u00f6n\u00fcnde belirgin bir \u00e7aba vard\u0131. \u00c7\u00fcnk\u00fc edebiyat d\u00fcnyas\u0131n\u0131n mevcut vasatl\u0131\u011f\u0131, edebiyattan nemalanmaya \u00e7al\u0131\u015fan ortalama idrakl\u0131lar ve kifayetsiz muhterisler Ece Ayhan\u2019\u0131n \u015fiirinin, ya\u015fam\u0131n\u0131n, poetikas\u0131n\u0131n gelece\u011fe uzanacak kadar yetkin ve s\u0131k\u0131 oldu\u011funu fark etmi\u015flerdi. Hatta bu kapsamda Ece Ayhan\u2019\u0131n poetikas\u0131n\u0131n gelece\u011fin \u015fiirini belirledi\u011fini bile d\u00fc\u015f\u00fcnebiliriz. Durum b\u00f6yle olunca Ece Ayhan\u2019\u0131n dirisine yapt\u0131klar\u0131 gibi \u00f6l\u00fcs\u00fcne de \u201csessizlik suikast\u0131\u201d uygulamaya \u00e7al\u0131\u015ft\u0131lar. Zaman\u0131nda, Ece Ayhan s\u00f6z konusu kifayetsiz muhteris tipolojisinin \u00fczerinden tank gibi ge\u00e7mi\u015ftir. Vasat edebiyat\u00e7\u0131lar\u0131n Ece Ayhan\u2019\u0131 unutturmak y\u00f6n\u00fcndeki \u00e7abalar\u0131na kar\u015f\u0131 ilk tokat \u0130lhan Berk ile Ece Ayhan\u2019\u0131n mektupla\u015fmalar\u0131n\u0131 i\u00e7eren&nbsp;<em>\u201cHo\u015f\u00e7a Kal\u201d<\/em>&nbsp;adl\u0131 kitab\u0131n Ece Ayhan\u2019\u0131n \u00f6l\u00fcm\u00fcnden hemen sonra yay\u0131mlanmas\u0131d\u0131r. Ard\u0131ndan 2007\u2019de Eren Bar\u0131\u015f\u2019\u0131n haz\u0131rlad\u0131\u011f\u0131 \u201cPOeL\u0130T\u0130KA\u201d adl\u0131 kitap da \u00e7ok \u00f6nemli bir k\u0131r\u0131lma noktas\u0131d\u0131r. Bu iki kitab\u0131n ard\u0131ndan \u2013\u00f6zellikle de Eren\u2019in kitab\u0131n\u0131n ard\u0131ndan- o vasat kesimler Ece Ayhan\u2019\u0131 unutturamayacaklar\u0131n\u0131 anlad\u0131lar. \u015eimdilerde ise hemen hemen her alanda oldu\u011fu gibi Ece Ayhan konusunda da \u00e7e\u015fitli dezenformasyon giri\u015fimleri var. Ece Ayhan\u2019\u0131 desteklemedi\u011fi d\u00fc\u015f\u00fcncelerle, kavramlarla, olaylarla tan\u0131tmaya, yapay ba\u011flamlar\u0131n i\u00e7erisinde Ece Ayhan\u2019\u0131n ad\u0131n\u0131 kullanmaya, hi\u00e7 olmad\u0131k ve yersiz \u015feylerle Ece Ayhan \u015fiirini ili\u015fkilendirmeye \u00e7al\u0131\u015f\u0131yorlar\u2026 B\u00fct\u00fcn bu giri\u015fimlere kar\u015f\u0131 verilebilecek en g\u00fczel cevab\u0131n, at\u0131lacak en g\u00fczel tokad\u0131n&nbsp;<em>Takma G\u00f6z, \u0130nsanlar\u0131n K\u00f6t\u00fcs\u00fc, \u0130nfanta, Bir Gemi&nbsp;<\/em>gibi Ece Ayhan\u2019\u0131n pek bilinmeyen, kitaplar\u0131na girmemi\u015f \u00e7ok \u00f6zel \u015fiirlerinin tekrardan dergilerde, fanzinlerde ve baz\u0131 platformlarda yay\u0131mlanmas\u0131 oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum. 1950-1960 d\u00f6neminde yaz\u0131lm\u0131\u015f, \u00e7e\u015fitli dergilerde (\u00f6zellikle de Yenilik,&nbsp;&nbsp;Yeni Ufuklar adl\u0131 dergilerde) yay\u0131mlanm\u0131\u015f fakat Ece Ayhan\u2019\u0131n kitaplar\u0131na girmemi\u015f b\u00f6ylesi bir\u00e7ok \u015fiir var. 20-30 adet\u2026 Ece, bu \u015fiirlerinin hepsini de \u201cE. Ayhan \u00c7a\u011flar\u201d olarak imzalam\u0131\u015f\u2026 \u015eunu da s\u00f6yleyeyim hemen, bu yak\u0131nlarda \u201c\u0130nsanlar\u0131n K\u00f6t\u00fcs\u00fc\u201d adl\u0131 \u015fiir Underground Poetix\u2019in 6. say\u0131s\u0131nda yeniden yay\u0131mlanacak\u2026 Ece Ayhan\u2019\u0131 daha do\u011frusu Ayhan \u00c7a\u011flar\u2019\u0131 anlamak istiyorsan\u0131z, o \u015fiiri mutlaka okumal\u0131s\u0131n\u0131z ve i\u00e7selle\u015ftirmelisiniz.&nbsp;&nbsp;Bir de, tabii ya, Chris King\u2019in \u201cBlind Cat Black\u201d adl\u0131 s\u00fcrrealist zombi filminin T\u00fcrkiye g\u00f6sterimi \u00e7ok \u00f6nemli\u2026 \u00c7ok s\u0131k\u0131, oturakl\u0131 ve yerinde bir tokat\u2026 Bak\u0131n, d\u00fcnyan\u0131n \u00f6b\u00fcr ucunda bir taife Ece Ayhan\u2019\u0131n \u015fiirlerini, neye ula\u015fmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 kavrayabiliyor, fakat bizim edebiyat ortal\u0131\u011f\u0131m\u0131z \u2013bilerek edebiyat ortam\u0131 demiyorum- h\u00e2l\u00e2 Ece Ayhan\u2019\u0131n evrenselli\u011fini kabullenemiyor&#8230; Bile bile anlamazl\u0131ktan geliyorlar filan\u2026 Hayret yahu, i\u015fte sana bir k\u00f6t\u00fcl\u00fck dayan\u0131\u015fmas\u0131! Buradan, \u201cK\u00f6t\u00fcl\u00fck ya\u011fmuru\u201d meselesine gelelim\u2026 Kendisiyle yanm\u0131\u015f, kalb ve vicdan sahibi, sahici insanlar olduk\u00e7a o ya\u011fmurun bir sele d\u00f6n\u00fc\u015fmeyece\u011fine eminim!<\/p>\n\n\n\n<p><strong>B.Y.: <\/strong><em>Chris King\u2019in ve Poetry Scores&#8217;un &nbsp;\u201cBlind Cat Black\u201d ismiyle \u00e7evrilen kitaba dair yapt\u0131klar\u0131 m\u00fcziklere ula\u015fma s\u00fcreci nas\u0131ld\u0131? Ortaya \u00e7\u0131kt\u0131\u011f\u0131nda, T\u00fcrkiye&#8217;den tepkiler neler oldu?<\/em><\/p>\n\n\n\n<p><strong>Z.Y.:<\/strong>&nbsp;\u0130nternette ger\u00e7ekle\u015ftirdi\u011fim periyodik Ece Ayhan aramalar\u0131m sonucunda Chris King\u2019in ve Poetry Scores taifesinin \u201cBlind Cat Black\u201d adl\u0131 alb\u00fcm \u00e7al\u0131\u015fmas\u0131ndan baz\u0131 par\u00e7alara rastlad\u0131m. Zaten Murat-Nemet Nejat\u2019\u0131n \u201cBak\u0131\u015fs\u0131z Bir Kedi Kara ve Ortodoksluklar\u201d \u00e7evirisi ile Chris King\u2019in konuya ili\u015fkin bir yaz\u0131s\u0131n\u0131 Virg\u00fcl Dergisi\u2019nin ilk say\u0131s\u0131ndan hat\u0131rl\u0131yordum. Chris King\u2019le ba\u011flant\u0131 kurup alb\u00fcmdeki t\u00fcm \u015fark\u0131lar\u0131 ve \u015fiir okumalar\u0131n\u0131 derledim. Evvel\u2019de (o zamanki ad\u0131yla Sonras\u0131zl\u0131k\u2019ta) ve baz\u0131 platformlarda \u201cBlind Cat Black\u201d adl\u0131 alb\u00fcm\u00fc, \u015fiir okumalar\u0131n\u0131 ve \u015fark\u0131lar\u0131 payla\u015ft\u0131m. Ayr\u0131ca konuya ili\u015fkin bir haber de Birg\u00fcn Gazetesi\u2019nin k\u00fclt\u00fcr-sanat sayfalar\u0131nda ve Karga Mecmua\u2019da yay\u0131mland\u0131. Fakat bizim dandik edebiyat ortal\u0131\u011f\u0131m\u0131z i\u015fbu olay\u0131 da g\u00f6rmezden geldi. Edebiyat dergilerinde konuya ili\u015fkin tek bir sat\u0131r bile yer almad\u0131. Bak\u0131n, bizim edebiyat ortal\u0131\u011f\u0131m\u0131z ger\u00e7ekten vasatt\u0131r ve Ece Ayhan\u2019\u0131n poetikas\u0131n\u0131n s\u0131k\u0131l\u0131\u011f\u0131, sahicili\u011fi alt\u0131nda bug\u00fcn bile ezilmektedir. Mesele Ece Ayhan olunca ka\u00e7acak delik ararlar, sinsiyete d\u00fc\u015ferler, \u00e7\u00fcnk\u00fc onun ya\u015fam\u0131n\u0131n ve \u015fiirinin kar\u015f\u0131s\u0131nda eziktirler\u2026 Bu nedenledir ki Ece Ayhan\u2019a h\u00e2l\u00e2 \u201csessizlik suikast\u0131\u201d uygulamaya \u00e7al\u0131\u015fmaktad\u0131rlar. Fakat hik\u00e2ye gene basittir; kalbinde kendisinden daha b\u00fcy\u00fck bir \u00e7ocuk ta\u015f\u0131yanlar, Ece Ayhan\u2019\u0131n g\u00f6rmezden gelinmesine izin vermeyecekler\u2026<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/BCB-E-Flyer.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"796\" data-id=\"2751\" src=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/BCB-E-Flyer-1024x796.jpg\" alt=\"\" class=\"wp-image-2751\" srcset=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/BCB-E-Flyer-1024x796.jpg 1024w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/BCB-E-Flyer-300x233.jpg 300w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/BCB-E-Flyer-768x597.jpg 768w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/BCB-E-Flyer-1536x1195.jpg 1536w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/BCB-E-Flyer.jpg 1800w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\">T\u00fcrkiye G\u00f6sterimi i\u00e7in Flyer<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/arka-sayfa.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"724\" height=\"1024\" data-id=\"2753\" src=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/arka-sayfa.jpg\" alt=\"\" class=\"wp-image-2753\" srcset=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/arka-sayfa.jpg 724w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/arka-sayfa-212x300.jpg 212w\" sizes=\"auto, (max-width: 724px) 100vw, 724px\" \/><\/a><figcaption class=\"wp-element-caption\">T\u00fcrkiye G\u00f6sterimi i\u00e7in Fanzin<br>(Arka-Sayfa)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/on-sayfa.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"722\" height=\"1024\" data-id=\"2752\" src=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/on-sayfa-722x1024.jpg\" alt=\"\" class=\"wp-image-2752\" srcset=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/on-sayfa-722x1024.jpg 722w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/on-sayfa-211x300.jpg 211w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/on-sayfa-768x1089.jpg 768w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/on-sayfa-1083x1536.jpg 1083w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/on-sayfa-1444x2048.jpg 1444w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/on-sayfa.jpg 1496w\" sizes=\"auto, (max-width: 722px) 100vw, 722px\" \/><\/a><figcaption class=\"wp-element-caption\">T\u00fcrkiye G\u00f6sterimi i\u00e7in Fanzin <br>(\u00d6n-Sayfa)<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/MG_0993-590x393-1.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"590\" height=\"393\" data-id=\"2764\" src=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/MG_0993-590x393-1.jpg\" alt=\"\" class=\"wp-image-2764\" srcset=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/MG_0993-590x393-1.jpg 590w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/MG_0993-590x393-1-300x200.jpg 300w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><\/a><figcaption class=\"wp-element-caption\">Kad\u0131k\u00f6y KargART G\u00f6sterimi&#8217;nde <br>\u0130zleyiciler (12 Temmuz 2010<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/MG_1016-590x393-1.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"590\" height=\"393\" data-id=\"2765\" src=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/MG_1016-590x393-1.jpg\" alt=\"\" class=\"wp-image-2765\" srcset=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/MG_1016-590x393-1.jpg 590w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/MG_1016-590x393-1-300x200.jpg 300w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><\/a><figcaption class=\"wp-element-caption\">Kad\u0131k\u00f6y KargART G\u00f6sterimi&#8217;nde \u0130zleyiciler (12 Temmuz 2010)<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/bakissiz-bir-gece-590x393-1.jpg\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"590\" height=\"393\" data-id=\"2763\" src=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/bakissiz-bir-gece-590x393-1.jpg\" alt=\"\" class=\"wp-image-2763\" srcset=\"https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/bakissiz-bir-gece-590x393-1.jpg 590w, https:\/\/upas.evvel.org\/wp-content\/uploads\/2024\/07\/bakissiz-bir-gece-590x393-1-300x200.jpg 300w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><\/a><figcaption class=\"wp-element-caption\">Kad\u0131k\u00f6y KargART Afi\u015f<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center\">12 Temmuz 2010&#8217;da Kad\u0131k\u00f6y KargART&#8217;ta ger\u00e7ekle\u015fen &#8220;Bak\u0131\u015fs\u0131z Bir Kedi Kara&#8221; T\u00fcrkiye G\u00f6sterimi&#8217;nde yer alan materyaller (Fanzin, Flyer vb.)  <strong>(B\u00fcy\u00fcterek g\u00f6rmek\/okumak i\u00e7in resimlerin \u00fczerine t\u0131klay\u0131n&#8230;)<\/strong><\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>B.Y.: <\/strong><em>Ece Ayhan, \u00d6k\u00fcz Dergisi taraf\u0131ndan yap\u0131lan bir s\u00f6yle\u015fide kendini \u0130skorpit bal\u0131\u011f\u0131na benzetmi\u015ftir. Kendi deyimiyle, &#8220;sardalyelerle, k\u00f6pekbal\u0131klar\u0131yla, kayabal\u0131klar\u0131yla bir iskorpit olarak&#8221; u\u011fra\u015f\u0131r. \u015eahsen bunu, yine &#8220;t\u00fcz\u00fcklerle&#8221; nerede ve hangi durumda olursa olsun \u00e7arp\u0131\u015fmaya devam etmesinin metaforu olarak alg\u0131l\u0131yorum. Tahmin ku\u015fkusuz. Ece Ayhan, Denizli&#8217;de kaymakaml\u0131k yaparken fark etti\u011fi, ara\u015ft\u0131rd\u0131\u011f\u0131 ve belki de kaymakaml\u0131ktan el \u00e7ektirilmesine giden durumdaki tavr\u0131na, ya\u015fad\u0131klar\u0131na bak\u0131nca, &#8220;Fazla bat\u0131ya a\u00e7\u0131lma yoksa do\u011fuya d\u00fc\u015fersin&#8221; s\u00f6z\u00fcn\u00fc hat\u0131rl\u0131yorum. Bir kahin gibi sanki. \u00d6te yandan, m\u00fclkiye mezunu E. Ayhan \u00c7a\u011flar nas\u0131l b\u00f6yle iktidar kar\u015f\u0131t\u0131 kara duygulu, akkor karamsar bir \u015fair oldu? Onun iktidar kar\u015f\u0131tl\u0131\u011f\u0131n\u0131 nas\u0131l okumal\u0131y\u0131z?<\/em><\/p>\n\n\n\n<p><strong>Z.Y.:<\/strong> Hemen \u00f6ncelikle \u015funu belirtelim; Ece Ayhan, tek ba\u015f\u0131na, tarihin derinliklerine n\u00fcfuz etmi\u015ftir ve kendini bu derinlikte bulmu\u015ftur. T\u0131pk\u0131 metamorfoz ge\u00e7irmemi\u015f veya di\u011fer bal\u0131k t\u00fcrlerinden daha az metamorfoza u\u011fram\u0131\u015f bir iskorpit bal\u0131\u011f\u0131 ya da familyas\u0131n\u0131n canavar benzeri, korkutucu, tarih \u00f6ncesi g\u00f6r\u00fcnt\u00fcs\u00fc gibi\u2026 Ya\u015fad\u0131\u011f\u0131 d\u00f6nemde karakter a\u015f\u0131nmas\u0131na u\u011framam\u0131\u015f tek edebiyat\u00e7\u0131 diyebiliriz Ece Ayhan i\u00e7in\u2026 Ece Ayhan\u2019\u0131n m\u00fclkiye mezunu bir m\u00fclki amir olarak alt\u0131 sene boyunca g\u00f6rev yapt\u0131\u011f\u0131n\u0131 da akl\u0131m\u0131za getirelim. Ben bu noktay\u0131 \u00e7ok \u00f6nemsiyorum. Bug\u00fcnk\u00fc iktidar kar\u015f\u0131t\u0131 kesimler \u201cEce Ayhan iktidara payda\u015f olmu\u015ftur asl\u0131nda\u201d diye hileli bir bak\u0131\u015f geli\u015ftiriyor. Bug\u00fcnk\u00fc iktidar yanda\u015flar\u0131 ve payda\u015flar\u0131 ise dolayl\u0131 olarak \u015f\u00f6yle diyor; \u201cEce Ayhan bizdendir. Bizim gibi, t\u00fcz\u00fcklerle \u00e7arp\u0131\u015farak b\u00fcy\u00fcm\u00fc\u015ft\u00fcr.\u201d filan&#8230; \u0130ki yakla\u015f\u0131m da y\u00fczeysel&#8230; Zaten, Ece Ayhan s\u00f6z konusu oldu\u011funda onu \u201cyak\u0131nsama\u201d mant\u0131\u011f\u0131yla ele almak ya da \u201cdurumcu ili\u015fkilendirme\u201d benzeri \u015feylerle yola \u00e7\u0131kmak topyek\u00fcn bir hatad\u0131r. Hatad\u0131r \u00e7\u00fcnk\u00fc Ece Ayhan mevcut pazarlara en uzak \u00e7ift\u00e7idir ve ona g\u00f6re pazar\u0131n yap\u0131s\u0131n\u0131, pazardaki \u015feylerin de\u011ferini belirleyen -kendisi gibi- pazara en uzak \u00e7ift\u00e7ilerdir. Ricardo\u2019nun iktisat teoremini kendisine \u00f6rnek al\u0131r ve kendi ya\u015fam\u0131n\u0131n marjinal faydas\u0131n\u0131, marjinalitesini b\u00f6yle ifade eder. Ece Ayhan\u2019\u0131n arad\u0131\u011f\u0131n\u0131n, i\u015faret etmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131n do\u011fucul ya da bat\u0131c\u0131l bir d\u00fc\u015f\u00fcncenin t\u00fcrevi oldu\u011funu da d\u00fc\u015f\u00fcnm\u00fcyorum. Bunlardan s\u0131yr\u0131lm\u0131\u015ft\u0131r Ece Ayhan\u2026 Ece Ayhan\u2019\u0131n temel kar\u015f\u0131tl\u0131\u011f\u0131n\u0131n bir \u201cinsanl\u0131k\u201d anlay\u0131\u015f\u0131yla ilgili oldu\u011fu a\u015fik\u00e2rd\u0131r. Ve Ece Ayhan\u2019\u0131n kafas\u0131ndaki \u201cuygarl\u0131k, insanl\u0131k ve duyarl\u0131k\u201d seviyesinin, b\u00fct\u00fcnl\u00fc\u011f\u00fcn\u00fcn bat\u0131c\u0131l ve do\u011fucul d\u00fc\u015f\u00fcnceden \u00e7ok ileride, en u\u00e7ta farkl\u0131 bir noktada olu\u015ftu\u011funu g\u00f6r\u00fcyoruz. Her \u015feyden \u00f6nce \u201cgaddarl\u0131k\u201d ve \u201csinsiyet\u201d kar\u015f\u0131t\u0131d\u0131r Ece Ayhan&#8230; M\u00fclki amirlik yapt\u0131\u011f\u0131 d\u00f6nem onun d\u00fc\u015f\u00fcncelerini bu konuda daha da peki\u015ftirmi\u015ftir, toplumun -kendi deyi\u015fiyle toplulu\u011fun- hakikatini g\u00f6rm\u00fc\u015ft\u00fcr, hissetmi\u015ftir. B\u00f6ylelikle, ya\u015fad\u0131\u011f\u0131 deneyimler ya da i\u00e7selle\u015ftirmeler sonucudur ki kimse m\u00fclkiyetin teorik ve uygulamal\u0131 k\u00f6t\u00fcl\u00fcklerini Ece Ayhan\u2019dan daha iyi bilemez.&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>B.Y.: <\/strong><em>Ece Ayhan&#8217;\u0131n \u015fiirlerini, yaz\u0131lar\u0131n\u0131 okurken, tarihe d\u00f6nmek zorunda oldu\u011fumuzu g\u00f6r\u00fcyoruz. Ama arkam\u0131z\u0131 de\u011fil tabi. &nbsp;Y\u00fcz\u00fcm\u00fcz\u00fc. T\u00fcrkiye \u015fiire kapal\u0131d\u0131r diyordu, hakl\u0131yd\u0131 bence, entelekt\u00fcel ya da ayd\u0131n yoktur bu \u00fclkede, &#8220;okumu\u015f&#8221; denmeli diyordu. \u015euraya ba\u011flayaca\u011f\u0131m, &#8220;toplum \u00e7\u00f6k\u00fcyor, \u00e7\u00f6kecektir! tarih \u00f6l\u00fcmlerle y\u00fcr\u00fcyor&#8221; diye ba\u011f\u0131rm\u0131\u015ft\u0131 bir zaman. Tarihi mi d\u00fcsturlu okudu da onu hi\u00e7 \u015fa\u015f\u0131rtm\u0131yor ve \u015fa\u015f\u0131rm\u0131yor-uz, hepimiz ve inatla, h\u00e2l\u00e2?<\/em><\/p>\n\n\n\n<p><strong>Z.Y.:<\/strong> Ka\u00e7amak bir cevap vereyim bu soruna\u2026 H\u00e2l\u00e2 orta ikiden ayr\u0131lan \u00e7ocuklar var. Eh durum b\u00f6yle olunca tarihi d\u00fcz\u00fcnden okuyanlar ve onlara&nbsp;&nbsp;zarfs\u0131z ku\u015flar g\u00f6nderenler de olacakt\u0131r. Basit\u00e7e, \u201chakl\u0131l\u0131\u011f\u0131n inad\u0131\u201d diye bir \u015fey vard\u0131r ve \u00f6yle ya da b\u00f6yle gaddarl\u0131\u011fa kar\u015f\u0131 ya\u015fam\u0131n ve tarihin vicdan\u0131 olarak varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrecektir. Hik\u00e2ye bu kadar basit asl\u0131nda.<\/p>\n\n\n\n<p><strong>B.Y.:<\/strong> <em>M\u00fczi\u011fe de s\u0131kl\u0131kla ve s\u0131k\u0131 e\u011filirdi. Yeni m\u00fczik, atonal m\u00fczik, 18. yy. t\u00fcr m\u00fczi\u011fi derken, orada da tarihe tersten bak\u0131yordu. \u015eiirlerinde m\u00fczi\u011fi nas\u0131l kullan\u0131yordu?<\/em><\/p>\n\n\n\n<p><strong>Z.Y.: <\/strong>M\u00fczik ve \u015fiir, tarihin derinli\u011findeki imgesel gizleri, insanl\u0131\u011f\u0131n ya\u015fad\u0131\u011f\u0131 evrimi veya delili\u011fi kavraman\u0131n en s\u0131k\u0131 yoludur. M\u00fczik ve \u015fiir \u201cim\u201de n\u00fcfuz eder. Ger\u00e7ek k\u00f6k nedenlere, muhalefet d\u00fc\u015f\u00fcncesine filan ancak \u015fiiri ve m\u00fczi\u011fi inceleyerek ula\u015fabilirsiniz. Ece bunu biliyordu. Armonilerin olu\u015fumunu, kontrpuan gibi \u015feyleri inceledi ve bunlar\u0131n ayr\u0131nt\u0131lar\u0131n\u0131 \u00f6\u011frendi. \u015eiirdeki ve m\u00fczikteki armoni yap\u0131lar\u0131n\u0131n imgesel kar\u015f\u0131l\u0131\u011f\u0131 olabilecek de\u011fi\u015fik s\u00f6zc\u00fck haritalar\u0131 olu\u015fturdu kafas\u0131nda\u2026 Bu haritalar\u0131n semantik, morfolojik, fonetik ve dizgesel ili\u015fkilerini, dilbilimsel dengelerini inceledi. \u0130mgesellikteki tarihsel duygudurumlar\u0131 ve bunlar\u0131n tu\u015felerini ara\u015ft\u0131rd\u0131. Sonra da bunlar\u0131 y\u0131karak gelece\u011fin yap\u0131s\u0131yla, yepyeni ve bamba\u015fka bir imgelemi olu\u015fturmaya, gelecekle benze\u015ftirmeye \u00e7al\u0131\u015ft\u0131\u2026 Bunu denedi, hatta Ece Ayhan i\u00e7in \u201cBunu g\u00f6ze alan, alabilen ve bu yolda y\u00f6ntemli olarak ilerleyen tek \u015fairdir\u201d diyebiliriz. Atonal m\u00fczikle ilgisi de bu kapsamdad\u0131r\u2026<\/p>\n\n\n\n<p><strong>B.Y.: <\/strong><em>Bizans&#8217;\u0131n, \u015fehri kuran Vizas&#8217;\u0131n atl\u0131 bir tanr\u0131ya tapmas\u0131ndan hareketle, at\u0131ndan inmeden sevi\u015fen Vizas&#8217;\u0131n \u0130stanbul&#8217;unda Ece Ayhan kendini \u015fairden saymaz kimi zaman. Herkes uzak durmaya \u00e7al\u0131\u015f\u0131ren bilin\u00e7li bilin\u00e7siz Ayhan \u015fiirlerinden ya da onu tek dizeyle al\u0131nt\u0131lay\u0131p k\u00fc\u00e7\u00fck toplumlar\u0131nda \u00f6ne \u00e7\u0131karken \u00e7e\u015fitli nedenlerle, itiraf edeyim, ben Ece Ayhan&#8217;\u0131 okurken kendimi \u00e7\u0131plak hissediyorum. Garip bir utanma duygusu geliyor, \u00fcrperiyorum. Kavga ediyorum ve \u015fa\u015f\u0131r\u0131yorum ve k\u0131z\u0131yorum ve a\u011flamakl\u0131 oluyorum. Sonras\u0131nda ise garip bir huzur bask\u0131n \u00e7\u0131k\u0131yor, hakl\u0131 oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum. \u00c7ok bahsedilmez belki ama, ben Ece Ayhan&#8217;\u0131n en \u00e7ok &#8220;\u00c7ok Eski Ad\u0131ylad\u0131r&#8221; ismiyle yay\u0131mlanan kitab\u0131n\u0131 severim. Birinci bask\u0131s\u0131, eskimi\u015f, solmu\u015f duruyor kitapl\u0131\u011f\u0131mda. \u015e\u00f6yle a\u00e7\u0131l\u0131yor kitap: &#8220;\u015eimdi, A\u015fa\u011f\u0131s\u0131, Yukar\u0131s\u0131, neresidir bilir misin?&#8221; Anadolu Orta\u00e7a\u011f\u0131&#8217;nday\u0131z diyordu, biraz \u00f6nce de s\u00f6yledim, onu okurken bazen bir kahin bazen bir sosyolog ya da toplum psikolo\u011fu gibi g\u00f6rd\u00fc\u011f\u00fcm oluyor. \u0130lk Ece Ayhan okudu\u011funda ve y\u0131llar sonra tekrar okudu\u011funda hissettiklerin nelerdi? De\u011fi\u015fen neydi?<\/em><\/p>\n\n\n\n<p><strong>Z.Y.: <\/strong>Bak\u0131n, Ece Ayhan se\u00e7kinci biri de\u011fildi. \u00d6zellikle de maddesel \u00e7evresinde, ya\u015fam\u0131n\u0131n g\u00f6r\u00fcnen k\u0131sm\u0131nda\u2026 Ancak bildi\u011fi, d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc, ara\u015ft\u0131rd\u0131\u011f\u0131, imledi\u011fi \u015feyler hem o d\u00f6nemde, hem de \u015fimdilerde se\u00e7kin diyebilece\u011fimiz, bamba\u015fka \u015feylerdi. M\u00fclkiye\u2019de iyi bir e\u011fitim alm\u0131\u015ft\u0131, sinemaya, deneysel m\u00fczi\u011fe \u00e7ok d\u00fc\u015fk\u00fcnd\u00fc. \u00c7e\u015fitli vesilelerle Avrupa\u2019y\u0131 da g\u00f6rm\u00fc\u015ft\u00fc. Her tarihsel konuda \u00e7ok merakl\u0131yd\u0131. Avrupa ve Osmanl\u0131 tarihinin g\u00f6z ard\u0131 edilmi\u015f dehlizlerini, gediklerini filan \u00e7ok iyi biliyordu. Yani, tarihi do\u011fru okuyordu. Frans\u0131zca ve Osmanl\u0131ca biliyordu. D\u00fcnyada, ikinci d\u00fcnya sava\u015f\u0131na kadar diplomaside Frans\u0131zca hakimdir. Bu nedenle bir\u00e7ok tarihi belgeyi ve olay\u0131 Frans\u0131zca\u2019dan inceleyebilmi\u015ftir, sosyolojik kavramlar\u0131 da Frans\u0131zca \u00fczerinden i\u00e7selle\u015ftirebilmi\u015ftir. Osmanl\u0131ca bildi\u011fi i\u00e7in de, Osmanl\u0131 \u0130mparatorlu\u011fu \u00fczerinden geli\u015fen do\u011fuyu da, kendi tarihimizi de do\u011fru okuyabilmi\u015ftir\u2026 Bunlar onu entelekt\u00fcel anlamda \u00e7ok kuvvetli k\u0131lm\u0131\u015ft\u0131r. Y\u0131llar sonra bunu fark ettim.<\/p>\n\n\n\n<p><strong>B.Y.: <\/strong><em>Bir s\u00f6yle\u015fisinde \u015f\u00f6yle demi\u015ftir: &#8220;M\u00fclkiyet h\u0131rs\u0131zl\u0131kt\u0131r. Bu cumhuriyet eml\u00e2k cumhuriyetidir. Ne d\u00fc\u015f\u00fcncemin ne de \u015fiirimin iktidar olmas\u0131n\u0131 istemem. Ben insan\u0131n pe\u015findeyim&#8221; Oysa art\u0131k hep iktidar kavgas\u0131nday\u0131z. Evde ve siyasette, i\u015fte ve yollarda. \u0130ktidar\u0131 istememek, onun i\u00e7in sava\u015fmamak kar\u015f\u0131s\u0131nda bedel \u00f6detiyor toplum. Karamsar m\u0131s\u0131n?<\/em><\/p>\n\n\n\n<p><strong>Z.Y.: <\/strong>Karamsar\u0131m ama benim karamsarl\u0131\u011f\u0131m Ece Ayhan\u2019\u0131nkine benziyor; akkor! Daha \u00f6nce de s\u00f6yledim, merak edenler \u201ck\u00f6m\u00fcr\u00fcn elmasa d\u00f6n\u00fc\u015fmesi\u201d meselesini, hik\u00e2yesini ara\u015ft\u0131rs\u0131n.<\/p>\n\n\n\n<p><strong>B.Y.: <\/strong><em>Bu \u00fclkede, \u015fimdi \u015fimdi anl\u0131yoruz ki, ezilenlerden yana siyasette yer almas\u0131 gerekenler olduk\u00e7a ge\u00e7 farkettiler Ece Ayhan&#8217;\u0131. Olsun, yine de g\u00f6rs\u00fcnler! Bunda, sa\u011f ya da sol olsun, hi\u00e7bir cemaatten olmamas\u0131n\u0131n da etkisi olabilir. Bu y\u00f6n\u00fcyle, politikac\u0131lar\u0131n dize al\u0131nt\u0131lar\u0131 yapt\u0131\u011f\u0131 \u00fclkenin toplumunda, dize gelmeyen Ece Ayhan&#8217;\u0131n son g\u00fcnleri hakk\u0131nda neler s\u00f6ylemek istersin?<\/em><\/p>\n\n\n\n<p><strong>Z.Y.:<\/strong> S\u00f6yleyecek fazla bir \u015fey yok\u2026 Sonu\u00e7ta, Ece Ayhan, kendi deyi\u015fiyle, bayra\u011f\u0131 dikmi\u015ftir.&nbsp;&nbsp;Art\u0131k ayarlar ya da aymazlar, oras\u0131n\u0131 bilemeyiz. Ece Ayhan hem sancakla hem de davulla isyan etmi\u015ftir.&nbsp;&nbsp;Gelecek i\u00e7in, d\u00fczayak \u00e7ivit badanal\u0131 bir kent kurmak ad\u0131na isyan etmi\u015ftir. Hayat\u0131n\u0131 da bu isyan ve kovgunlu\u011fun ruh hali belirlemi\u015ftir.<\/p>\n\n\n\n<p>(4 Temmuz 2010, <strong>Bar\u0131\u015f Yarsel<\/strong> &amp; <a href=\"https:\/\/www.zaferyalcinpinar.info\">Zafer Yal\u00e7\u0131np\u0131nar<\/a>)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Hami\u015f:<\/strong> \u201cEce Ayhan\u201d ba\u015fl\u0131kl\u0131 ara\u015ft\u0131rmalara&nbsp;<a href=\"https:\/\/evvel.org\/ilgi\/ece-ayhan\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/evvel.org\/ilgi\/ece-ayhan<\/a>&nbsp;adresinden, Ece Ayhan ara\u015ft\u0131rmalar\u0131n\u0131n indeksine&nbsp;<a href=\"https:\/\/evvel.org\/eceayhanindeksi.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/evvel.org\/eceayhanindeksi.pdf<\/a>&nbsp;adresinden, Ece Ayhan web sitesine ise&nbsp;https:\/\/zaferyalcinpinar.com\/bakissiz.html&nbsp;adresinden ula\u015fabilirsiniz.<\/p>\n<\/blockquote>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,5,1],"tags":[78,18],"class_list":["post-2746","post","type-post","status-publish","format-standard","hentry","category-gorungu","category-yayinlar","category-uncategorized","tag-ece-ayhan","tag-zafer-yalcinpinar","comments-off"],"_links":{"self":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/2746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2746"}],"version-history":[{"count":15,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/2746\/revisions"}],"predecessor-version":[{"id":2793,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/2746\/revisions\/2793"}],"wp:attachment":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}