{"id":2985,"date":"2025-01-01T12:48:05","date_gmt":"2025-01-01T09:48:05","guid":{"rendered":"https:\/\/upas.evvel.org\/?p=2985"},"modified":"2025-01-11T12:48:51","modified_gmt":"2025-01-11T09:48:51","slug":"ikinci-yeni-ve-cemal-sureyanin-onemi-zafer-yalcinpinar","status":"publish","type":"post","link":"https:\/\/upas.evvel.org\/?p=2985","title":{"rendered":"\u0130K\u0130NC\u0130 YEN\u0130 VE CEMAL S\u00dcREYA’NIN \u00d6NEM\u0130 (Zafer Yal\u00e7\u0131np\u0131nar)"},"content":{"rendered":"\n
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Cemal S\u00fcreya Anma Etkinli\u011fi Konu\u015fmas\u0131, Kad\u0131k\u00f6y-CKM, 9 Ocak 2018:<\/strong><\/em><\/p>\n\n\n\n

Zafer Yal\u00e7\u0131np\u0131nar:<\/a> \u201c\u00c7ok daha kalabal\u0131k topluluklar\u0131n kar\u015f\u0131s\u0131nda hi\u00e7 heyecanlanmadan \u00e7e\u015fitli konu\u015fmalar ger\u00e7ekle\u015ftirmi\u015f olmama ra\u011fmen bug\u00fcn, burada, son derece heyecanl\u0131y\u0131m. Demin, sizin oturdu\u011funuz koltuklardayken bu durumun nedenini d\u00fc\u015f\u00fcnd\u00fcm.  \u00c7\u00fcnk\u00fc, Cemal S\u00fcreya -t\u0131pk\u0131 Faz\u0131l H\u00fcsn\u00fc Da\u011flarca<\/a> ve Ece Ayhan<\/a> gibi- \u00e7ok b\u00fcy\u00fck bir \u015fairdir! \u0130nanmasan\u0131z da fark etmeseniz de b\u00fcy\u00fck ve k\u00fc\u00e7\u00fck \u015fairler vard\u0131r! B\u00f6yle bir ayr\u0131m vard\u0131r! Cemal S\u00fcreya b\u00fcy\u00fck bir \u015fair oldu\u011fu i\u00e7in, bug\u00fcn, burada, \u00e7ok heyecanl\u0131y\u0131m!<\/p>\n\n\n\n

Her \u015feyden \u00f6nce, Cemal S\u00fcreya\u2019n\u0131n Ece Ayhan ve Sezai Karako\u00e7\u2019la birlikte 1950\u2019li y\u0131llar\u0131n ortas\u0131nda T\u00fcrk \u015eiiri\u2019ndeki auray\u0131 de\u011fi\u015ftiren ve \u2018\u0130kinci Yeni\u2019 ismini verdikleri yenilik\u00e7ili\u011fin kurucusu oldu\u011funu hat\u0131rlatmak, yani Cemal S\u00fcreya\u2019n\u0131n ve arkada\u015flar\u0131n\u0131n T\u00fcrk Dili \u00fczerinde yeni bir duygu-durum, yeni bir \u015fiirsellik olu\u015fturdu\u011funu s\u00f6ylemek, vurgulamak gerekiyor. Bu yenili\u011fin hem okurda hem de di\u011fer -k\u00fc\u00e7\u00fck, b\u00fcy\u00fck- \u015fairlerde kar\u015f\u0131l\u0131\u011f\u0131 olmu\u015ftur ve s\u00f6z konusu yenilik bir \u015fiir ak\u0131m\u0131na d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr. Bu yeni \u015fiirin \u00f6zellikleri nelerdi\u2026 Neden bu kadar sevildi\u2026 Neden h\u00e2l\u00e2 \u00e7ok b\u00fcy\u00fck bir i\u00e7tenlikle ve samimiyetle takip ediliyor! Bu b\u00fcy\u00fckl\u00fc\u011f\u00fc iyice d\u00fc\u015f\u00fcnmek ve analiz etmek gerekiyor\u2026<\/p>\n\n\n\n

Cemal S\u00fcreya ve kendisinin \u201cG\u00fcvercin Curnatas\u0131\u201d olarak tan\u0131mlad\u0131\u011f\u0131 ikinci yeni ak\u0131m\u0131 ne yapt\u0131, neyi de\u011fi\u015ftirdi\u2026 1950\u2019li y\u0131llarda d\u00fcnya \u015fiirinden \u00e7eviriler yaparak 2. D\u00fcnya Sava\u015f\u0131 sonras\u0131 d\u00fcnyada olu\u015fan yeni h\u00fcmanizmin duygu-durumunu, yeni \u015fiirsel dili anlamaya ve T\u00fcrk\u00e7e\u2019ye aktarmaya ba\u015flad\u0131lar. O d\u00f6nemde T\u00fcrk\u00e7e\u2019de garip ak\u0131m\u0131 kas\u0131rgas\u0131 esiyordu. Garip ak\u0131m\u0131 \u015fiire sadele\u015fme ve imgede basitle\u015fme getirmi\u015fti. Bu durum hik\u00e2yelemeci ve biraz da kuru bir \u015fiir ve s\u00f6ylem ortaya \u00e7\u0131karm\u0131\u015ft\u0131r. Cemal S\u00fcreya ve arkada\u015flar\u0131 bu sade \u015fiir dilini daha sofistike bir h\u00e2le \u00e7evirmek, \u015fiir dilini ileriye ta\u015f\u0131mak i\u00e7in imgelemin g\u00fc\u00e7lenmesini sa\u011flad\u0131lar. \u0130mgelemin \u00f6zg\u00fcrl\u00fc\u011f\u00fcne inand\u0131lar. Karma\u015f\u0131k bir yap\u0131yd\u0131 bu, ancak imgesel olarak dili geli\u015ftiren, T\u00fcrk Dili\u2019nin imgesel alan derinli\u011fini artt\u0131ran ve geni\u015fleten bir s\u00f6yleyi\u015f, bir t\u0131n\u0131 buldular. Zarif, tabii ki modern ve \u00e7ok ama \u00e7ok kuvvetli bir \u015fiir olu\u015fturdular. \u00d6yle ki 80\u2019lerin ve 90\u2019lar\u0131n \u015fairleri bu ak\u0131m\u0131n g\u00f6lgesinde kalm\u0131\u015flard\u0131r! \u0130kinci yeni \u00f6yle g\u00fc\u00e7l\u00fcd\u00fcr ki 80\u2019lerin ve 90\u2019lar\u0131n \u015fairlerini g\u00f6lgede b\u0131rakm\u0131\u015ft\u0131r! Bug\u00fcn, 60 sene sonras\u0131nda bile bu hakikati g\u00f6rmeliyiz, kabul etmeliyiz art\u0131k!<\/p>\n\n\n\n

\u0130kinci yeni \u015fiiri gelece\u011fe uzanan, g\u00fc\u00e7l\u00fc bir \u015fiirdir! Bir zamanlar, bir edebiyat soru\u015fturmas\u0131 kapsam\u0131nda bir \u00e7akma profes\u00f6r \u00e7\u0131k\u0131p ikinci yeni ak\u0131m\u0131n\u0131n etkisini kaybetti\u011fini m\u0131r\u0131ldanm\u0131\u015f, bir zamanlar\u2026 Bu mutat zevat hi\u00e7bir bilimsel a\u00e7\u0131klamaya, dahas\u0131 poetikaya de\u011finmeden niyet belirtmeye veya kendince, kendi \u00e7etesine \u00fcmit vermeye kalkm\u0131\u015ft\u0131r. Bu komediyi g\u00f6rd\u00fc\u011f\u00fcmde emin oldum: 80\u2019lerin, 90\u2019lar\u0131n bu \u015fair profes\u00f6rleri ve ba\u011fl\u0131 \u00e7eteleri acz i\u00e7inde, ikinci yeninin b\u00fcy\u00fck \u015fiirinin g\u00f6lgesinde kalm\u0131\u015ft\u0131r! \u00c7akma \u015fairler acz i\u00e7indedir bug\u00fcn\u2026<\/p>\n\n\n\n

Sonu\u00e7ta, h\u00e2l\u00e2, burada, bu toplulukta, T\u00fcrk\u00e7e\u2019ye bakt\u0131\u011f\u0131m\u0131zda, zamanlar\u0131n sonunda, Cemal S\u00fcreya ve arkada\u015flar\u0131n\u0131n \u015fiiri, y\u00fcr\u00fcrl\u00fckte olan bask\u0131n ve en g\u00fc\u00e7l\u00fc \u015fiir ak\u0131m\u0131d\u0131r\u2026 Gelece\u011fi belirlemektedir ve gelece\u011fe uzanmaktad\u0131r. \u0130kinci yeni \u015fiiri y\u00fcr\u00fcrl\u00fckteki dili imgesel olarak geli\u015ftirmekte, tahayy\u00fcl g\u00fcc\u00fcne g\u00fc\u00e7 katmakta ve \u015fiir dilini etkilemektedir; son derece de kuvvetlidir, etkindir ve insanl\u0131\u011f\u0131 s\u00fcrekli geli\u015ftirmektedir! Cemal S\u00fcreya\u2019n\u0131n \u201c\u00dcvercinka\u201d adl\u0131 \u015fiirinde ifade etti\u011fi gibi: \u201cAfrika dahil!\u201d<\/p>\n\n\n\n

Zafer Yal\u00e7\u0131np\u0131nar<\/a>, <\/strong>9 Ocak 2018
Cemal S\u00fcreya Anma Etkinli\u011fi Konu\u015fmas\u0131<\/em>
Caddebostan K\u00fclt\u00fcr Merkezi-Kad\u0131k\u00f6y<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[160,78,99,18],"class_list":["post-2985","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-cemal-sureya","tag-ece-ayhan","tag-fazil-husnu-daglarca","tag-zafer-yalcinpinar","comments-off"],"_links":{"self":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/2985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2985"}],"version-history":[{"count":1,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/2985\/revisions"}],"predecessor-version":[{"id":2987,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/2985\/revisions\/2987"}],"wp:attachment":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2985"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2985"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}