{"id":3463,"date":"2026-04-09T16:03:29","date_gmt":"2026-04-09T13:03:29","guid":{"rendered":"https:\/\/upas.evvel.org\/?p=3463"},"modified":"2026-06-22T16:23:50","modified_gmt":"2026-06-22T13:23:50","slug":"ceren-avsarin-ses-govde-zihin-kitabi-uzerine-cengizhan-genc","status":"publish","type":"post","link":"https:\/\/upas.evvel.org\/?p=3463","title":{"rendered":"Ceren Av\u015far\u2019\u0131n \u2018Ses, G\u00f6vde, Zihin\u2019 Kitab\u0131 \u00dczerine (Cengizhan Gen\u00e7)"},"content":{"rendered":"\n<p class=\"has-text-align-right\">\u201cS\u00fcreklilik imgelerinin herhangi birini yak\u0131ndan incelemek yeterlidir;<br>her zaman s\u00fcreksiz olan\u0131n \u00e7izgilerini g\u00f6r\u00fcr\u00fcz.\u201d<br><em>Gaston Bachelard<\/em><\/p>\n\n\n\n<p class=\"has-text-align-left\"><br>(&#8230;)<br><strong>\u015eiirin Ba\u015far\u0131l\u0131 Poetik Tercihleri<\/strong><\/p>\n\n\n\n<p><em><a href=\"https:\/\/upas.evvel.org\/sesgovdezihin.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Ses, G\u00f6vde, Zihin<\/a><\/em>&nbsp;ilk bak\u0131\u015fta uzun bir \u015fiir olarak g\u00f6r\u00fcnse de asl\u0131nda tek bir d\u00fc\u015f\u00fcnce \u00e7ekirde\u011fi etraf\u0131nda kuruluyor: Varl\u0131\u011f\u0131n d\u00fcnyada kaplad\u0131\u011f\u0131 yer. Ve g\u00fcn\u00fcm\u00fcz \u015fiirinde s\u0131k\u00e7a g\u00f6rd\u00fc\u011f\u00fcm\u00fcz par\u00e7al\u0131 yap\u0131 yerine tek bir merkez\u00ee imge etraf\u0131nda geli\u015fiyor.<\/p>\n\n\n\n<p>\u015eiirin daha ilk sayfalar\u0131nda ortaya \u00e7\u0131kan \u201c\u00e7ok yer kaplama\u201d fikri yaln\u0131zca fiziksel bir hacim meselesi olarak de\u011fil; sesin, zihnin, bedenin, hat\u0131ran\u0131n ve \u00f6l\u00fcm\u00fcn kaplad\u0131\u011f\u0131 metafizik alan\u0131 da i\u00e7ine alacak \u015fekilde geni\u015fliyor. Ceren Av\u015far bu temel fikri \u015fiirin sonuna kadar terk etmeyerek metnin da\u011f\u0131n\u0131k g\u00f6r\u00fcnmesine ra\u011fmen merkezini koruyor. Av\u015far; sesi, g\u00f6vdeyi ve zihni birbirinden ay\u0131rarak de\u011fil, ayn\u0131 varolu\u015fsal y\u00fck\u00fcn farkl\u0131 g\u00f6r\u00fcn\u00fc\u015fleri olarak ele al\u0131yor \u015fiir boyunca. Bu sayede de \u015fiir ba\u015flang\u0131\u00e7ta ortaya koydu\u011fu \u00e7ekirdek d\u00fc\u015f\u00fcnceyi terk etmeyen bir yap\u0131ya kavu\u015fuyor.<\/p>\n\n\n\n<p>\u00d6zellikle \u015fiirin tamam\u0131na yay\u0131lan soyut kavramlar\u0131n somut nesneler arac\u0131l\u0131\u011f\u0131yla d\u00fc\u015f\u00fcnme e\u011filimi \u015fiirin duygusunun ve \u00f6znenin ya\u015famakta oldu\u011fu duygunun anla\u015f\u0131labilir ve ula\u015f\u0131labilir bir noktaya \u00e7ekilmesine olanak sa\u011fl\u0131yor. \u015eiirde bilin\u00e7, \u00f6l\u00fcm, varl\u0131k ve zaman gibi kavramlar do\u011frudan teorik bir s\u00f6ylem i\u00e7inde verilmeyip tuz, bezelye, kum, tohum, toprak, \u015felale, fare, kedi, masa, yetimhane, mezarl\u0131k, patrikhane, cami, katedral, kefen ve solucan gibi hayvanlar\/nesneler arac\u0131l\u0131\u011f\u0131yla g\u00f6r\u00fcn\u00fcr h\u00e2le geliyor. Bu tercih \u015fiirin d\u00fc\u015f\u00fcnsel a\u011f\u0131rl\u0131\u011f\u0131n\u0131 ta\u015f\u0131rken ayn\u0131 zamanda \u015fiirselli\u011fini de korumas\u0131n\u0131 sa\u011fl\u0131yor. Bu sayede de \u015fiirde nesneler ve hayvanlar \u00fczerinden soyut kavramlarla kurulan ba\u011f \u015fiiri sadece bir fikir metni olmaktan kurtar\u0131yor. Tuz, bezelye, kum, tohum, \u015felale, fare, kedi, mezar, kefen, solucan gibi maddi unsurlar \u015fiirdeki d\u00fc\u015f\u00fcnsel y\u00fck\u00fc ta\u015f\u0131d\u0131klar\u0131 i\u00e7in \u015fiir yaln\u0131zca felsef\u00ee bir metin olmaktan \u00e7\u0131karak \u015fiirsel bir deneyime d\u00f6n\u00fc\u015f\u00fcyor. \u00d6zellikle fare ve kedi etraf\u0131nda kurulan takip ili\u015fkisi, i\u00e7erideki ses ile d\u0131\u015far\u0131daki tehdidin birbirine kar\u0131\u015fmas\u0131, \u00f6znenin kendi i\u00e7ine ka\u00e7\u0131\u015f\u0131 gibi unsurlar \u015fiirin imgesel g\u00fcc\u00fcn\u00fc art\u0131r\u0131yor.<\/p>\n\n\n\n<p>\u00d6l\u00fcm kavram\u0131n\u0131n romantik bir son ya da trajik bir felaket olarak ele al\u0131nmay\u0131p daha \u00e7ok biyolojik, maddi ve ka\u00e7\u0131n\u0131lmaz bir d\u00f6n\u00fc\u015f\u00fcm olarak g\u00f6r\u00fcnmesi kli\u015fe olabilecek durumlar\u0131n \u00f6n\u00fcne ge\u00e7iyor. Solucanlar, mezar, \u00e7\u00fcr\u00fcme, nefes ve beden aras\u0131ndaki ili\u015fki \u00f6l\u00fcm\u00fcn fiziksel boyutunu g\u00f6r\u00fcn\u00fcr k\u0131larak \u201c<em>\u00d6l\u00fcs\u00fc bile \/ ne \u00e7ok yer kapl\u0131yor<\/em>\u201d (s. 30) dizeleriyle \u015fiirin merkezindeki metaforun \u00f6l\u00fcmden sonra da s\u00fcrmesini sa\u011fl\u0131yor. B\u00f6ylece \u015fiirin temel problemi yaln\u0131zca ya\u015famla ilgili olmaktan \u00e7\u0131karak \u00f6l\u00fcm sonras\u0131nda da devam eden bir ontolojik soruya d\u00f6n\u00fc\u015f\u00fcyor. (\u2026)<\/p>\n\n\n\n<p><em><strong>Cengizhan GEN\u00c7<\/strong><br>buzdokuz.com \/ 21 Haziran 2026<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Yaz\u0131n\u0131n tam metnine&nbsp;<a href=\"https:\/\/www.buzdokuz.com\/2026\/06\/ceren-avsarin-ses-govde-zihin-kitabi-uzerine\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.buzdokuz.com\/2026\/06\/ceren-avsarin-ses-govde-zihin-kitabi-uzerine\/<\/a>&nbsp;adresinden ula\u015fabilirsiniz.<\/p>\n<\/blockquote>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Ses, G\u00f6vde, Zihin (tam metin pdf) :&nbsp;<a href=\"https:\/\/upas.evvel.org\/sesgovdezihin.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/upas.evvel.org\/sesgovdezihin.pdf<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Ceren Av\u015far\u2019la \u2018Ses, G\u00f6vde, Zihin\u2019 kapsam\u0131nda ger\u00e7ekle\u015ftirilen bir s\u00f6yle\u015finin tam metnine&nbsp;<a href=\"https:\/\/upas.evvel.org\/?p=3436\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/upas.evvel.org\/?p=3436<\/a>&nbsp;adresinden ula\u015fabilirsiniz.<\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[177,171],"class_list":["post-3463","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-cengizhan-genc","tag-ceren-avsar","comments-off"],"_links":{"self":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/3463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3463"}],"version-history":[{"count":2,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/3463\/revisions"}],"predecessor-version":[{"id":3466,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/3463\/revisions\/3466"}],"wp:attachment":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}