{"id":382,"date":"2018-10-13T16:50:37","date_gmt":"2018-10-13T13:50:37","guid":{"rendered":"https:\/\/upas.evvel.org\/?p=382"},"modified":"2022-04-19T23:13:21","modified_gmt":"2022-04-19T20:13:21","slug":"soylesi-sanati-saf-siire-kavusturmak-icin-kurulan-reddiye-hatlari-rafet-arslan","status":"publish","type":"post","link":"https:\/\/upas.evvel.org\/?p=382","title":{"rendered":"S\u00f6yle\u015fi: \u201cSanat\u0131 Saf \u015eiire Kavu\u015fturmak i\u00e7in Kurulan Reddiye Hatlar\u0131\u201d (Rafet Arslan)"},"content":{"rendered":"

Zafer Yal\u00e7\u0131np\u0131nar:<\/strong> Kirli \u00c7\u0131k\u0131n<\/a>… ki ilk \u015fiir kitab\u0131n olarak tan\u0131ml\u0131yorsun, Eyl\u00fcl’de\u00a0yay\u0131mland\u0131. Kirli \u00c7\u0131k\u0131n’\u0131n k\u00f6kleriyle, do\u011fu\u015fuyla ilgili bir\u00e7ok ipucu\u00a0i\u00e7eren detayl\u0131 bir yaz\u0131 kaleme ald\u0131n, ama tekrardan vurgulamak, sormak\u00a0istiyorum: \u015eiir dilini ve tahayy\u00fcl\u00fcn\u00fc etkileyen s\u00fcreci, o kimyay\u0131, o\u00a0birikimi anlat\u0131r m\u0131s\u0131n?<\/strong><\/p>\n

Rafet Arslan:<\/strong> Kirli \u00c7\u0131k\u0131n; yazan, d\u00fc\u015f\u00fcnen, resmeden ve performans yapan ki\u015finin t\u00fcm biriktirdiklerinden dam\u0131tt\u0131\u011f\u0131, otonom bir alan\u0131n kendisidir. Bu noktada kendi se\u00e7ti\u011fim hayat; onu ya\u015famak i\u00e7in t\u00fcm \u00e7abalar\u0131m, girdi\u011fim \u00e7\u0131kmaz sokaklar, kazd\u0131\u011f\u0131m t\u00fcm t\u00fcneller, ke\u015ffetti\u011fim yeni yollar bu kitab\u0131n yaz\u0131n \u00f6yk\u00fcs\u00fcn\u00fc olu\u015fturmu\u015ftur. Ve bitmi\u015f bir \u00f6yk\u00fc de\u011fildir bu; o menzildeyim h\u00e2l\u00e2; TV kanallar\u0131 aras\u0131nda \u00e7\u0131kan sinyalsiz ekran\u0131n yaratt\u0131\u011f\u0131 metafizik bo\u015flu\u011fun i\u00e7inde. H\u00e2l\u00e2 tutkuyla ba\u011fl\u0131 oldu\u011fu \u015fairleri honore eden ve bunu yaparken kendine ait bir dili arayan, yoklayan bir kalem olarak. Hi\u00e7birimiz bu d\u00fcnyada neden oldu\u011fumuzu ve gelece\u011fin bizi nerelere s\u00fcr\u00fckleyece\u011fini bilmiyoruz. Apollon\u2019un kehanet merkezleri \u00e7oktan toprak alt\u0131nda kald\u0131, Delphi k\u00e2hinleri ise y\u00fczy\u0131llard\u0131r sus pus. \u015eimdi makinesel bir k\u0131yametin \u015fafa\u011f\u0131nda bir yaz\u0131l\u0131ma hen\u00fcz d\u00f6n\u00fc\u015fmeden zihnimin ve ruhumuzun \u00f6zg\u00fcrl\u00fc\u011f\u00fcn\u00fc aramaya devam ediyorum. Benim i\u00e7in bu aray\u0131\u015f\u0131n t\u00fcm\u00fcn\u00fcn ad\u0131: \u015eiir\u2019dir.<\/p>\n

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Rafet Arslan<\/em><\/p>\n

“Sanat\u0131 saf \u015fiire kavu\u015fturmak”… Bu ifadeyle i\u015faret etti\u011fin kavramsal\u00a0arkaplan\u0131n ve stratejinin detaylar\u0131n\u0131 \u00e7ok merak ediyorum…<\/strong><\/p>\n

Saf \u015fiir simyad\u0131r; ancak her t\u00fcrl\u00fc tahakk\u00fcm, g\u00fcd\u00fcleme ve sahte kimlikten soyunarak girebilece\u011fimiz bir \u00e7e\u015fit ada\u2019d\u0131r. Ada benzetmesi bo\u015funa de\u011fil; \u015fiirin sanata, sanat\u0131n hayata akt\u0131\u011f\u0131 bir \u00fctopyaya heves etmekten do\u011far. Bunun i\u00e7in idrak\u0131n \u00fc\u00e7\u00fcnc\u00fc g\u00f6z\u00fcn\u00fc a\u00e7maya \u00e7abalamak, tutkular\u0131na teslim olmak, \u00fczerimize giydirilen t\u00fcm yapayl\u0131klardan soyunmaya heves etmek, s\u00fcper ego buyruklar\u0131na kar\u015f\u0131 uyan\u0131k olmak, t\u00fcm d\u00fc\u015f\u00fcnce ve \u00fcretim s\u00fcre\u00e7lerinin ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131na ve \u00f6znelli\u011fine titizlenmek ba\u015fl\u0131ca meselelerim. Bir de sokaktan, g\u00fcndelik hayattan, web\u2019deki interaktif adalardan, suyun alt\u0131ndan- yani ya\u015fam\u0131n kendisinden yana olmak ve onu savunmak en m\u00fchim meseledir.<\/p>\n

“\u0130mgelemin \u00f6zg\u00fcrle\u015fmesi” dedi\u011fimiz \u015fiirsel alan\u00a0derinli\u011fi nas\u0131l bir \u015fey, nas\u0131l t\u0131n\u0131yor zihninde?<\/strong><\/p>\n

\u0130mgelemin \u00f6zg\u00fcrle\u015fmesi benim de uzun s\u00fcredir t\u00fcm \u00fcretimim merkezinde yer alan bir derdin ya da \u00e7aban\u0131n \u00f6zeti gibi. Belki benim y\u00fcr\u00fcd\u00fc\u011f\u00fcm yol bir \u00e7e\u015fit ters y\u00f6n ya da sa\u011flamadan soruya gitme u\u011fra\u015f\u0131. \u00c7\u00fcnk\u00fc benim yap\u0131t\u0131m; bak\u0131\u015f\u0131n k\u00f6rl\u00fc\u011f\u00fc, ger\u00e7ekli\u011fin ter\u00f6r\u00fc, imgenin \u00e7\u00f6lle\u015ftirilmesini kavramsalla\u015ft\u0131rarak, bili\u015fsel ve tinsel bir reddiye hatt\u0131 aramak \u00fczerine kuruludur.<\/p>\n

Ece Ayhan’\u0131 sormak istiyorum… \u015eunca y\u0131ld\u0131r birlikte, omuz omuza, Ece\u00a0Ayhan<\/a>‘\u0131 irdeliyoruz, hatta Ece Ayhan i\u00e7in m\u00fccadele veriyoruz. Ece\u00a0Ayhan’\u0131n poetikas\u0131 ile senin \u015fiirindeki Ece Ayhan etkile\u015fimleri,\u00a0g\u00f6ndermeleri hakk\u0131nda neler s\u00f6ylemek istersin…<\/strong><\/p>\n

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Benim \u0130\u00e7in T\u00fcrk\u00e7e yaz\u0131lm\u0131\u015f \u015fiir gelene\u011fi i\u00e7inde \u201cKareler ve Aklar\u201d, \u201cKoma Provalar\u0131\u201d, \u201cPer\u00e7emli Sokak\u201d\u00a0 ve hatta \u201cAlemda\u011f\u2019da Var Bir Y\u0131lan\u201d gibi radikal \u00f6znellik manifestolar\u0131 \u00f6tesinde ana damar\u0131 yani b\u00fct\u00fcnc\u00fcl uzay\u0131 Ece ile Berk\u2019in kurdu\u011fu galaksi olu\u015fturur. Ece\u2019nin ya\u015fad\u0131\u011f\u0131 ya\u015famdan \u00e7ok \u00f6tede onun yaz\u0131n\u0131n\u0131n etik, kar\u015f\u0131 tarih ve zihinsel \u00f6zg\u00fcrle\u015fmede a\u00e7t\u0131\u011f\u0131 ciddi sat\u0131hlar var. Dili m\u00fckemmelle\u015ftirmek yerine onu k\u0131rmay\u0131, b\u00fckmeyi, kekele\u015ftirmeyi ben Ece\u2019den \u00f6\u011frendim. \u00d6zellikle ilk kitab\u0131m olan \u201c\u00c7a\u011fda\u015f Sanat Manifestolar\u0131 (6:45 Yay\u0131n, 2010)\u201d i\u00e7inde gizlenmi\u015f ilk d\u00f6nem \u015fiirlerimin yaz\u0131n ser\u00fcveninde Ece\u2019nin karanl\u0131k k\u0131lavuzlu\u011funu anmadan ge\u00e7emem.<\/p>\n

\u0130lhan Berk<\/a>?<\/strong><\/p>\n

San\u0131r\u0131m ben, ya\u015fland\u0131k\u00e7a Berk\u2019in \u00e7etin dehlizlerine yakla\u015f\u0131yor, onun menziline daha \u00e7ok v\u00e2k\u0131f oluyorum. Berk bir ressam, bir \u015fair, bir d\u00fc\u015f\u00fcnce insan\u0131 ve avangard eylemci olarak t\u00fcm yap\u0131t\u0131n\u0131 \u201cbiricik \u00f6znellik\u201d ve deneyim \u00fczerine kuran tek T\u00fcrk \u015fair olmu\u015ftur. Bu manada; \u015fimdi her yan\u0131m\u0131z\u0131 saran Yeni Orta\u00e7a\u011f\u2019\u0131n ba\u011fr\u0131nda do\u011fum sanc\u0131lar\u0131 \u00e7eken Yeni R\u00f6nesans’\u0131n da \u00f6nc\u00fclerindendir Berk.<\/p>\n

G\u00fcn\u00fcm\u00fczdeki eserlerin i\u00e7erdi\u011fi \u015fiir auras\u0131 hakk\u0131nda hislerin nelerdir?\u00a0“Gelece\u011fin \u015fiiri” desek… Nas\u0131l bir \u015fey olacak sence?<\/strong><\/p>\n

Gelece\u011fin \u015fiiri asl\u0131nda \u015fimdi ya\u015famaya ba\u015flad\u0131\u011f\u0131m\u0131z yar\u0131n<\/em> i\u00e7inde \u015fekil alan, h\u00fccre h\u00fccre akan poetik durumlar<\/em> b\u00fct\u00fcn\u00fc. Sokak yaz\u0131lar\u0131nda, sanal a\u011f\u2019da, yeni medya hareketlerinde, deneysel m\u00fczikte ya da kavramsal sanatta nefes alan, kendine yeni formlar arayan bir ak\u0131\u015f\u0131n kendisi. \u0130nsan uygarl\u0131\u011f\u0131 b\u00fcnyesinde olu\u015f\u2019un ontolojik travmas\u0131 <\/em>a\u015f\u0131lamad\u0131\u011f\u0131 s\u00fcrece \u015fiir yeni yollarda hareket etmeye, ka\u00e7\u0131\u015f \u00e7izgileri kurmaya ve bozmaya devam edecektir.<\/p>\n

Ekim 2018
\n<\/strong>upas.evvel.org<\/a><\/em><\/p>\n

\n

\"\"<\/a><\/p>\n

Kirli \u00c7\u0131k\u0131n<\/strong>, Rafet Arslan
\nUPAS Yay\u0131n\/\u015eiir, Eyl\u00fcl 2018, 30 Sayfa
\nOkumak i\u00e7in: upas.evvel.org\/kirlicikin.pdf<\/a><\/p>\n

\u201cRafet Arslan<\/strong>, ger\u00e7ek\u00fcst\u00fc kolajlar\u0131nda ve kadrajlar\u0131nda imgesel a\u00e7\u0131dan k\u00fclyutmaz bir devinim sergiler. Kendisinin \u201cilk \u015fiir kitab\u0131\u201d olarak tan\u0131mlad\u0131\u011f\u0131 Kirli \u00c7\u0131k\u0131n<\/a>, ger\u00e7e\u011fin matemati\u011fini yeniden olu\u015fturmak ve sanat\u0131 saf \u015fiire kavu\u015fturmak i\u00e7in yaz\u0131lm\u0131\u015f modern bir hiyeroglif (yeni bir alfabe) \u015feklinde okunmal\u0131\u2026 Belli ki Rafet, Kirli \u00c7\u0131k\u0131n\u2019\u0131nda alev alacak t\u00fcrden bir poetikay\u0131 ger\u00e7ek\u00fcst\u00fcc\u00fc sanat\u0131n birikimiyle y\u0131llarca kurgulam\u0131\u015f.\u201d (Zafer Yal\u00e7\u0131np\u0131nar)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[40,18],"class_list":["post-382","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-rafet-arslan","tag-zafer-yalcinpinar","comments-off"],"_links":{"self":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/382","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=382"}],"version-history":[{"count":9,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/382\/revisions"}],"predecessor-version":[{"id":1971,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/382\/revisions\/1971"}],"wp:attachment":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=382"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=382"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=382"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}