(\u2026)
\nGosol\u2019da ortaya \u00e7\u0131kan bir tifo salg\u0131n\u0131ndan ka\u00e7arak Paris\u2019e d\u00f6nen Picasso, Gertrude Stein\u2019\u0131n portresinin \u00f6n\u00fcnde \u00e7ak\u0131l\u0131r ve modelini bir daha g\u00f6rmeye gerek duymadan silmi\u015f oldu\u011fu ba\u015f\u0131n\u0131 bir \u00e7\u0131rp\u0131da yeniden \u00e7izer.
\nBir maske tasla\u011f\u0131. Avignon\u2019lu K\u0131zlar\u2019\u0131n payandalar\u0131. Yeni bir sanat\u0131n taslaklar\u0131: K\u00fcbizm.
\n(\u2026)
\nFleurus Soka\u011f\u0131, no. 27. (\u2026)
\nStein\u2019lar orada oturuyorlar. (\u2026)
\n\u015e\u00f6minenin \u00f6n\u00fcnde duran as\u0131k suratl\u0131, iri yar\u0131 adam Braque\u2019t\u0131r. Ho\u015fnut de\u011fildir, \u00e7\u00fcnk\u00fc \u015f\u00f6minenin \u00fcst\u00fcne yerle\u015ftirilmi\u015f olan resimlerden biri dumandan kararm\u0131\u015ft\u0131r. Ve yan\u0131nda bulunan C\u00e9zanne\u2019\u0131n iki tablosu da kararm\u0131\u015ft\u0131r. Braque homurdanmaktad\u0131r ve kendisine bir daha tablo asma i\u015fi verildi\u011finde (en uzun boylu olan Braque oldu\u011fundan tabloyu o tutar ve kap\u0131c\u0131 da \u00e7iviyi \u00e7akar) resminin ba\u015fka bir yere as\u0131lmas\u0131n\u0131 isteyecektir. (\u2026)
\nPicasso o g\u00fcn Orsel Soka\u011f\u0131\u2019ndaki arkada\u015f\u0131yla ayn\u0131 durumdad\u0131r: \u00f6fke i\u00e7indedir. Duvarlara as\u0131lm\u0131\u015f iki tuvalini farketmi\u015ftir: g\u00f6r\u00fcn\u00fcmleri de\u011fi\u015fmi\u015ftir ve \u00e7ok fazla parlamaktad\u0131r bunlar: Gertrude Stein parlatm\u0131\u015ft\u0131r bunlar\u0131. Bu kad\u0131n kesinlikle parlayan her \u015feyi \u00e7ok sever\u2026
\nMax Jacob dostuna a\u00e7\u0131klamalar yapmaya \u00e7al\u0131\u015f\u0131r. Ba\u015faracakt\u0131r bunu: Picasso salondan ayr\u0131lmaz ama haftalarca Fleurus Soka\u011f\u0131\u2019na ad\u0131m atmayacakt\u0131r.
\nG\u00f6zleri Fernande Olivier\u2019yi ararken bir yabanc\u0131 yakla\u015f\u0131r ve ressam\u0131n Gosol\u2019da bitirdi\u011fi tabloyu g\u00f6sterir:
\n\u201cGertrude Stein m\u0131?
\n-Evet.
\n-Ona benzemiyor portre\u2026\u201d
\nPicasso omuz silker:
\n\u201cHi\u00e7 \u00f6nemi yok: Sonunda Stein resme benzeyecektir.\u201d
\n(\u2026)<\/p>\n
Dan Franck<\/strong><\/em>
\n\u201cBohemler\u201d, \u00c7ev: \u0130smail Yerguz, Sel Yay., 2009, ss. 102-104<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[12],"class_list":["post-56","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-pablo-picasso","comments-off"],"_links":{"self":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/56","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=56"}],"version-history":[{"count":1,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/56\/revisions"}],"predecessor-version":[{"id":57,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=\/wp\/v2\/posts\/56\/revisions\/57"}],"wp:attachment":[{"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=56"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=56"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/upas.evvel.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=56"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}